Synopse

Journalists at Cannes this year were gushing over this eccentric and deeply human family history remindful of John Irving. Chicago-based art dealer Madeleine visits her husband's family in the sticks for the first time, also, because an interesting painter lives close by. Big-city arrogance meets provincial bigotry in a wise, bittersweet and wonderfully acted comedy, says the New York Times.

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