The market for fictional content has changed dramatically – along with our working conditions and our perspective on the stories of tomorrow. Programming no longer has to assert itself against 25 competing channels; the competition is now for people’s leisure time. Which kinds of stories succeed in captivating audiences with originality, engaging young viewers, and retaining loyal fans?

With

Helge Albers, MOIN Film Fund Hamburg Schleswig-Holstein

Charlotte Groth, LAX Entertainment

Alexandra Staib, ZDF Fernsehspiel

Timo Hempel, Deutsche Akademie für Fernsehen (Moderation)

Language: German
Access: Industry Accreditation

Presented by Deutsche Akademie für Fernsehen